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I arrived at Cirque headquarters in Montreal late April ‘18 for a five week residency where I got in depth tours of all the creative departments and was given free reign to experiment and play with all the new materials and technology. Its was AMAZING!!!

This place is so HUGE!!!! The artist residence where I was staying was so close my commute was only 50 seconds!

There’s so much artwork around the building at Cirque, I think thats a Triffid on the left.

To create super accurate costume patterns a performer can be scanned and turned into a 3D file that can be used to make patterns from.

Looks like my kind of show! I need to visit Vegas and see it! Was interesting to hear about the challenges of using latex in a permanent show.

I got to observe the entire process of making masks that were taken from moulds of the artist face so they fit perfectly.

After being shown how to use thermo plastics I got to work and started playing around making a mask and neck piece.

After seeing polyurethane being used on a costume I asked if I could have a go, I was instantly given a workshop on how to use it and was able to make something the same day! Everyone was so kind and helpful.

At 3pm I’d never used neoprene, by 4:30pm I’d been taught how to work with it and had made a circle skirt and a top!

The textile design department inspired me to create a pattern (mess) using polyurethane on the neoprene outfit I made. The thick white gloopy polyurethane sticks to the material and adds a rubbery texture, it gave the bottom of the circle skirt so much more shape and lovely wobblynes.

I thought my mask looked a little scary so I made this to cute it up a little, but together they look even scarier!

I’ve always wanted to use lights inside one of my latex vacuum pieces, I mentioned this and soon after was presented with this fantastic set up! Jan is an awesome techno wizard!!!!

I mentioned I’ve always wanted to make a pyramid shape latex vacuum piece but the connectors don’t exist. Then these beauties were made for me, designed on the computer and 3D printed. It was pretty overwhelming how helpful and kind everyone was.

Was really glad to find out Bruce Dern finally got back to earth, could'n’t find Huey, Dewey and Louie anywhere.

After doing a presentation to the creative team they said they’d like to get me together with a dancer and choreographer. So I went to Montreals own Polymorph Latex and got some super shiny metallic silver latex and started making a vacuum piece that we could get a dancer in and play around.

I only had a week to make it but was quite pleased with the results, here’s me testing it out! It’s sooooo silvery!!!!

Was a great experience working with a dance and choreographer and watching him move so wonderfully in the restricted costume. It inspired me to start working in this collaborative way for future projects.

I was asked to bring a piece over and perform for Cirque, so I took over the Machine (last used a month ago in New Zealand). These great posters were up everywhere at Cirque, they really don’t so things by halves here!

Valerie and I did a live interview and Q&A the day after my performance, was good to have the opportunity to talk about my stuff and the performance.

Was so cool that they projected images of my work in Agora at Cirque. It wasn’t that long ago I’d never dream of showing anyone pictures of what I did!

I’ve always been “its NOT PVC, its latex!!!!” but I finally had a go at working with PVC, man its tricky to work with but love my new dress and bow! Again, helped generously to learn how to sew it.